Saturday, November 15, 2008

Saturday Morning Cartoons



Enjoy today's installment of Aaron Johnson's photocentric comic strip "What the Duck." The popular comic is celebrating it's 2nd year anniversary. Congratulations Aaron! And thank you for encouraging me and others to seek comfort in our sense of humor when the ebbs and flows of the photography business threaten to overwhelm us. The comic is available now for syndication as "W.T. Duck," appearing in a local newspaper near you!

Friday, November 14, 2008

This Weekend: Editing



This weekend, I am editing photos from Kim and Michael's engagement party as well as another set of images I took on Monday of college students modeling clothing with Auraria campus logos on them.

More sessions are getting booked, including my first maternity session scheduled for next Saturday and a neighbor's family portrait session for Christmas cards.

Also on Monday, I will be meeting with a graphic design artist about creating my business logo. It's taken far too long, but I finally decided that this had to be a priority and is an important step in the management of my business. Kelli Parker, a former Denver Post features graphic designer, is the owner of the KRP Creative design firm. I worked with Kelli on numerous page layouts for section front covers at the newspaper and I value her abilities. Wish me luck!

Thursday, November 13, 2008

Get the Job Done: Creative Post Processing with Photoshop

I have grown more adventurous in my photo processing now that I have had several Photoshop classes under my belt, including two offered at Illuminate Photography Workshops by instructors Nat Coalson and Armando Martinez. I decided to try some creative retouching with some of the photos I took during a family portrait session earlier this month.

Overall the photos I took of the Newell family were very successful. However, I had a devil of a time making sure that both boys were always looking at me during the posed shots. Their attention spans were very short, since they are only 4- and 2-years old, and one or both would often look away right as I pressed the shutter.
Thank goodness there were plenty of other images where both boys are looking straight ahead. I was able to combine success aspects of one photo with another to create a new photo composite.

Here is the BEFORE, RAW unprocess image. After I carefully posed the family on the rocks near the South Platte River and took a few steps back to compose my image, something caught little Tristan's eye, and he looked to the side right as I shot the photo.
Before

and here is the AFTER, processed. I copied a portion of Tristan's smiling face (in the looking straight ahead at me) from another photo and placed it on top of the other image where he is looking off to the side.
After: Step One

The first step in my photo processing in Camera Raw included cropping the image, and making some color balance and curve adjustments. Once the image was called up into Photoshop, I used some glamour processing to whiten teeth and eyes, heal out wrinkles, and balance out overblown skin tones. I also used "Clone" to take out the distracting orange markers in the river in the upper right hand corner of the frame. I saved that image as a TIFF keeping all the adjustment layers intact and opened this new image that had Tristan looking directly into camera.




I carefully selected a portion of Tristan's face that included his eyes, his noise, lips and rosy cheeks, feathering the selection so the edges would blend in seamlessly and copied it. Then I dragged that selection onto the other original photo, which automatically created a new layer.

As it turned out, the new image of Tristan's face was much larger than the original, so I had to use the Free Transform mode (under "Edit") to reshape the face and fit it smoothly over the original. I combined the layers and healed the edges of the new selected face to make sure it blended with the existing head.

I don't think I'm done with this image yet. I like Liam's smile in the second image better as well, so I may try to replace his face in the main image. That featureless white sky is bothersome to me, so I may add a new blue sky with some puffy clouds into the photo. And I don't like the bottom of the bridge at the top of the frame. Does the post processing ever end? Only when I get it right in camera the first time like I'm supposed too, I guess! ;)

Wednesday, November 12, 2008

Get the Goods: Product Review Kodak AiO ESP 3 Printer



Over the past three weeks, I have been trying out a new ESP 3 Kodak All-in-One (AiO) Inkjet printer that arrived at my desk in the newsroom for review. Many of my photography buddies told me it wouldn't be long before I had two printers in my home office...one for normal printing documents and another reserved for printing photos. So I couldn't wait to add the ESP 3 into my production work flow.

Overall, I think the ESP 3 is a great printer for the novice photographer to produce prints at home. But for me as a professional, I don't think the print quality is good enough for selling those same prints to clients.

The ESP 3 (retail $129) is one of the newest models in the Kodak product lineup that prints, copies and scans, and uses Kodak Perfect Touch Technology to enhance less-than-perfect images. Installation of ink cartridges was very easy, and the included instructions were simple to follow. A USB cable had to be purchased separately for under $10, which I thought was a major inconvenience, but once I connected it and installed the software, I didn't have any other issues printing.

The Facial Retouch editing feature in the Kodak Aio Home Center Software that automatically detect faces and enhances facial features with just one click. I think those features are great for the novice photographer who isn't yet ready to invest in advanced photo programs or expensive professional photo labs. The designated family snap shooter won't be able to beat the one-click that reduces the appearance of skin blemishes, whitens teeth and eyes and smooths skin tone, restores color and reduces red eye. Again, as a professional, that's not a feature I needed, since I do my own post-processing and retouching in Photoshop.

So in order for me to use this printer, the quality of the prints themselves would have to be on the mark. I was disappointed. The photos consistently printed out much darker than what was shown on the computer screen. Even after I tried to adjust the images using the retouching software and resaving the image, the photo was still darker when printed. It may have something to do with the fact that the printer and monitor aren't calibrated. But I wouldn't feel comfortable having clients pay full price for the prints from the ESP when it's clearly obvious that the prints are darker than those images shown on my laptop or desktop. Clients gave in to the impulse buy when I had some ESP 3 prints on hand selling for a reduced price during a presentation. While one client said he thought the photos "were still very good given that they were printed at home," but he said they were definitely darker than what he had seen during his slideshow presentation.

The Kodak photo paper that came with the printer was very glossy and thick (assuming it would be more durable) and dried extremely fast. But the paper was easily scratched. I had to reprint several photos numerous times and keep them covered with paper to prevent scratches and fingerprints (although if you get fingerprints on them, you can use a microfiber cloth to remove them fairly easily, but don't rub too hard or you will rub away the ink from the photo paper). I also noticed that several prints had inexplicable pairs of vertical, dashed lines going through them, requiring more reprinting.

For now, I will stick with having client package photos professionally printed at Wolf until I can afford a higher quality model such as an Epson or Canon dedicated solely for printing photos.

The ESP did have several saving graces though. I think the prints were great as rough drafts to inspect before sending the final image to the professional printer. There are some things you just don't notice on a screen that are more evident once the image has been printed. It's a lot easier to see what needs to be tweaked in post-processing once you have an actual photo in your hand. And I was finally able to print out samples of my work to be displayed on my walls at home. The final display wall is beautiful and eye catching, which went over well with my clients.

Monday, November 10, 2008

Instructor's Tip: Proper Portraiture Perspective



Enjoy this week's "Instructor's Tip" by one of my favorite instructors, award winning nature photographer Russ Burden. The photo(s) in this post were taken by Russ Burden.

Proper Portraiture Perspective

I often get asked what is the proper lens to make a portrait. I respond with one of many questions. Are you creating a head shot or a full length shot? Is it a group portrait or a shot of one person? Will the background in the area in which you’re shooting be distracting? As you can see there are variables that need to be addressed before I can give a “correct” answer. The bottom line is the best lens is the one that allows you to properly frame the subject at a specific distance that yields the perspective you desire.

To create portraits, I’ve used focal lengths from 28mm to 300mm. If I work in tight quarters photographing a group of people, the situation dictates a wide angle lens. The size of the quarters coupled with the number of people determines how wide I need to go. With single subjects, if all I need is a head shot, my first action is to evaluate facial features. For instance, if the nose is long, I tend to use a longer focal length lens to compress the distance from the face. The result is a smaller looking nose in the picture. This is just the tip of the iceberg. If people photography is your thing, use this article as motivation to learn more.

-Russ

To learn more about how Russ captured this image, join him on one of his photo tours. Visit Russ Burden Photography to get more information.

To take a class with Russ or a fellow Digital Photo Academy instructor in your area, check out the Digital Photo Academy. I took Russ' intermediate and advanced courses last year, and he continues to be a strong source of knowledge and encouragement as I progress in my photography.

Don't forget to check Take Great Pictures for Russ' most recent tips. On the home page, click on the "Photo Tips And Techniques" button in the left hand column. Additionally, check out his "Digital Tip of the Month" found by clicking on the Digital Photography button.

November Photo Assignment Topic Announced: Windows



Matt Lewis, aka gcmandrake has chosen November's photo assignment topic.

The topic is WINDOWS. Here's how Matt explained it: Windows seen from the inside or the outside. The window(s) must be the main subject of the photo.

The rules:
1) The image must be taken between NOW and Nov. 23. The goal of the monthly topic is to get us out there shooting new subject matters on a regular basis. Interpret the topic as you wish, as long as the window is the main subject. Submit a photo related to the topic to my email at shebawheeler@picture-yourworld.com.

Please have EXIF intact. Photos not taken during the time frame will not be included.

Now, GET OUT THERE!

Saturday, November 8, 2008

Saturday Morning Cartoons



Enjoy today's installment of Aaron Johnson's photocentric comic strip "What the Duck." The popular comic is celebrating it's 2nd year anniversary. Congratulations Aaron! And thank you for encouraging me and others to seek comfort in our sense of humor when the ebbs and flows of the photography business threaten to overwhelm us. The comic is available now for syndication as "W.T. Duck," appearing in a local newspaper near you!

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