Sunday, July 5, 2009

Tips of the Trade: Combat photography fears and insecurities

I was immediately drawn to this essay on the Take Great Photos this week when the newsletter showed up in my email. Photographer Catherine Hall offers tips to help combat fear on the road to developing a photographic style and identity. Looking at Hall's work, it's almost crazy to imagine that this extremely talented wedding photographer would ever have a moment of doubt.

But it's something that I cope with often, as do many of my photography friends. Insecurity and fear, like other emotions, are neither good or bad...they just are. Acknowledge them, master a new skill to help you cope with whatever that fear is, and move on. The only time that I get worried is when those emotions paralyze me and stop me from advancing, and I know you should never let that happen -- for too long anyway. ;)



Perhaps these tips from Hall will be of some help. They appeared in a great issue of TakeGreatPictures.com:

1. Don't be afraid to laugh and make fun of yourself.

People are often painfully conscious of being in front of the camera, especially at weddings. They get stiff and uncomfortable. I find that if I misdirect the attention from them to myself, they worry less about how they look. So don't take yourself too seriously. Don't be afraid to laugh at or make fun of yourself, because inevitably that's going to put people at ease.

2. Don't be afraid to experiment.

Photographers often ask me for advice on finding a personal style. My feeling is that you don't find your style; your style finds you. Be receptive to ideas that come to you as a photographer. You are never going to develop a unique style if you stick to what you know works and you’re too scared to let yourself experiment. “What you know works,' is basically what other people have already done.”

3. Don't be afraid to charge what you're worth.

This is a huge tip for new photographers. We all have difficulty with this because we love what we do. It’s uncomfortable, but my advice is just to start off charging what you're worth and eventually you'll get used to it. Ultimately we're selling something that's unique and that gives it demand, so we should charge for it.

4. Don't be afraid to make a mistake.

Your clients don't expect you to be perfect, but you don't want to waste their time, either. If something isn’t working during a shoot, you'll get more respect by admitting it and moving on than trying to save face and taking bad pictures.

5. Don't be afraid to succeed.

Fortunately, I've never felt that I don't deserve to succeed in business, and because of that many wonderful things have come my way. But we all have fears. I see a lot of selfsabotage that goes on, a lot of excuses people make that get in the way of their success. This is not something that changes overnight, but its important to think about that and how it might be putting up roadblocks.

6. Don't be afraid of challenges.

This is for new photographers in particular. A lot of times you will be offered jobs that you think you can't do, and you just have to put faith in the fact that if the person offering you the job thinks you can do it, you probably can. Never turn down an opportunity!

7. Don't be afraid to be vulnerable.

If you have the desire to succeed and be exceptional, you will inevitably be exposed to criticism and rejection. Don't be afraid to put yourself at risk and express yourself in a way that will allow you to grow. People are not going to pay a lot of money for a mediocre photographer. There are a million of them out there. You have to distinguish yourself, and in order to do that you have to make yourself vulnerable.

8.Don't be afraid to play in post-production.

Have fun. With weddings you have to be careful because the images should be timeless and you can't do crazy special effects, but just as you experiment when you’re shooting, allow yourself to experiment in post. Allow yourself to be creative when you're working on the images in the same way that you are when you're making them.

9. Don't be afraid to grow

It’s really important to constantly be challenging yourself in order to avoid getting stuck in a routine. Have fun with growing as an artist. I am continually reinventing myself, which has allowed both me and my work to grow.

10. Fear is the darkroom where all negatives are developed.

Thursday, July 2, 2009

Get the Job Done: First gig as a "second shooter" a success!










Saturday's assignment as a second shooter during a wedding for lead photographer Jim Turley was a lot of fun, and I'm extremely proud of the images I captured. I will be giving Jim a disk with 100 of my best images this morning, several of which I have included in this blog post.



During the shoot, I was responsible for candids and detailed shots, both of which I love shooting. And it was good to let some other photographer take the lead and work with the clients so I could focus all of my efforts on getting great shots. Jim was also helpful in sharing new ways of streamlining my own wedding coverage when I have assistants working for me, including editing all of the images myself (instead of having assistants edit their work separately) for a more consistent look. Jim also requires his clients to pay in advance of their coverage...one portion paid at the booking and the second at least a month before the actual event. I will be adopting those same practices to avoid becoming a debt collector.





I loved shooting for John and Melinda, a mature couple each with two young children from previous marriages. Their laid back attitude without the usual anxiety often associated with wedding days made coverage easy and enjoyable. Their event was nontraditional in that they didn't have bridesmaids or groomsmen, didn't have "the toast" or "the dance," and didn't even cut their cake! But it was filled with love and joy, nonetheless as each parent walked hand in hand down the aisle with their children at their side.



I could definitely appreciate how low key (and quick...maybe less than 10 minutes long!) their actually ceremony was, so they could spend more time celebrating with their family and friends. To that end, it the couple asked that we try to take photos of as many of their guests as possible. So I found a great spot with greenery and a water fountain right in front of the Buell Mansion to shoot guests as they were leaving their cars with the valet. Here's a tip: when photographing guests, just put on a big smile and say "It's for the bride and groom!" and most people instantly relax and are more willing to pose for the happy couple.



Wednesday, July 1, 2009

From My Portfolio


originally uploaded by Sheba Wheeler.

Here is one of my favorite shots I took on Saturday during a boudoir session held by the Mile High Photographer's Femme Photographie group. In order to get this shot, I used a ladder so I could shoot down on the model from above.

Some general portrait post processing finished off the look. This shot was captured with two lights from Calumet, one to left and right front of the model. I used my Canon 580 EX II on a bracket for fill.

I love how the model's pink panties and the pillow add just the right touch of color to what would have been an otherwise nearly monotone color palette. Plus, that leopard skin toss blanket and velvet brown comforter add fun as well as texture to the shot.

Monday, June 29, 2009

Instructor's Tip: Hold Your Head Up



I hope you enjoy this week's "Instructor's Tip" by one of my favorite instructors, award winning nature photographer Russ Burden. To learn more about how Russ captured the above image, join him on one of his photo tours. Visit Russ Burden Photography to get more information.


Encountering wildlife is always exciting. Even in a place like Yellowstone where its expected, excitement is constantly evidenced by the number of elk and bison jams that occur on a daily basis. Having an animal gain my trust and carry on its normal behavior is special. It’s as if a silently communicated agreement occurs wherein the animal lets me take pictures provided I don’t invade its space. Having said this, I strongly encourage you to not become a suicidal, injury defying photographer who attempts to have his or her kids stand next to a bull moose while using a 28mm lens to capture the moment. This is a tragic accident waiting to happen. Use a long lens to keep you and your loved ones alive and safe.

As I said above, encountering wildlife is exciting but just because the animal is in your viewfinder, the situation doesn’t guarantee you’ll get a good shot. Large mammals often have their heads in the grass as a good part of the day is spent feeding. A better photo can be had when the animal lifts its head and provides you with a regal, alert, or some sort of comical glance. Images of grazing bison, deer, or elk, are very common. This is why you want to wait until it holds its head up so a stronger image can be made. It takes patience, but in the end you’ll be rewarded with better pictures.

Take a class with Russ or a fellow Digital Photo Academy instructor in your area, check out the Digital Photo Academy. I took Russ' intermediate and advanced courses last year, and he continues to be a strong source of knowledge and encouragement as I progress in my photography.

Don't forget to check Take Great Pictures for Russ' most recent tips. On the home page, click on the "Photo Tips And Techniques" button in the left hand column. Additionally, check out his "Digital Tip of the Month" found by clicking on the Digital Photography button.

Saturday, June 27, 2009

Saturday Morning Cartoons


Here is my favorite "What the Duck" comic from this week. Rock on Aaron! "What the Duck" is an online comic strip created by Aaron Johnson. Viewers are welcome to link, post, copy/paste, or save the strips to their own sites, blogs, forums, newsletters, etc. Aaron also allows viewers to suggest titles for his individual strips, which I think is a great way to interact with his blog readers.

Friday, June 26, 2009

This Weekend: Busy, busy, busy

Graffiti Falls

Starting Saturday morning, I will be Jim Turley's second shooter at a wedding held inside an exclusive Cherry Hills Village mansion. I've been looking forward to this adventure so I can learn from an experienced wedding photography and be able to give better direction to assistants I may work with in the future. It will also be nice to "take a breather" and experiment with some of my photographer as a second shooter and watch how Jim handles the pressure of shooting a wedding and direct client contact. Even though I won't be working specifically with the bride and groom, I am still representing Jim's company, Sweetwater Images, and will treat this event with the same respect as if I were the lead shooter.

Sunday afternoon, I will be shooting during a boudoir workshop hosted by the Mile High Photographers . This is the first time I will be attending a session with this organization, and I'm excited about a chance to add some new images to my boudoir portfolioIn between both days, I will be editing photos I took during a model shoot at Graffiti Falls in Manitou Springs hosted by AM/PM Photography, members of my Mile High DPS Social Group. It was an amazing session in a type of location I've never shot at or experienced before. In the above shot, David and Alyssa brave the cold flows of the waterfall, willing to do whatever was necessary to get an amazing shot.



Thursday, June 25, 2009

Get the Goods: Internationally celebrated photographer Claudio Basso in Denver!


There are still a few days left to get a discount on a fabulous two-day "reality training" event shooting models both indoors and outdoors with internationally recognized fashion photographer Claudio Basso. Basso has 25 years of experience and has shot for major fashion magazines around the world, including the Italian and American Vogue, French Elle, and Vanity Fair, just to name a few.

Basso and I have become colleagues since we both joined the Photoclique.com photographer network. The event sounds great, especially one that allows you access to how a noted professional works AND shooting time with his models. Claudio believes the same lighting setups that are used to help make models look amazing in the fashion industry can be used with your everyday photography clients as well.

Sign up early to save $100 on registration fees by June 30th. Register here. And consider signing up for the two-fer program that offers marketing techniques to improve your business identity.

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