Photo by Russ Burden
I hope you enjoy this week's "Instructor's Tip" by one of my favorite instructors, award winning nature photographer Russ Burden. To learn more about how Russ captured the above image, join him on one of his photo tours. Visit Russ Burden Photography to get more information.
REMINDER: There will be no Photo Tip of the Week next Monday as Russ willl be in Bosque Del Apache and White Sands National Monument leading a photo tour. If you really want to learn a ton about composition, depth of field, how to read the light, and so much more about the art of making great images, I strongly urge you to sign up for one of his photo tours. With over 30 years of teaching experience and my passion for photography, Russ will ensure you'll come home a much better photographer in addition to bringing home a lifetime of memories and great images.
Photographing Mountains
There’s an old expression that’s a play on words: “Life’s A Beach.” I have a T Shirt that says, “Life’s A Mountain, Not A Beach.” From the very first time I drove across country from New York to Denver and saw the mountains loom in the distance as I neared the front range of the Rockies, I was hooked.
Add Color For Impact: Autumn is my favorite time to photograph mountains as the deciduous trees reach their peak color. Whether you focus on the Rockies with golden toned aspens or the rolling mountains of the east with multi warm colored hardwood trees, the reds, yellows, and oranges that paint the hillsides add dimension, impact, and specific focal points to any mountain image.
Create Depth: A key technique in creating successful compositions of mountain scenics is to create depth. This is accomplished by including fore, mid, and background elements in the image. Wide angle lenses are employed to accomplish this. By getting close to an important focal point in the lower portion of the frame, the eye is drawn to that area in the photograph. The midground layer needs to support the chosen foreground element and contain interest. The final piece of the puzzle is the background element. When photographing mountains, this is often the key peak of the range. In the end, all elements should support one another.
Timing: Dramatic mountain images are made in the sweet light of the day. This occurs both at sunrise and sunset. Capturing images at these times means getting up when it’s dark and being on location just as the sun crests the horizon. It also entails being out at sunset just before the sun falls below the horizon. At these times of the day, the light is warm and soft. It gives the scene dimension and texture unobtainable in the middle of the day when the sun is overhead.
Quick Tips: I highly recommend you use a polarizer and shoot at right angles to the sun to maximize its effect. Use a long lens to compress scenes where layers of mountains exist to add impact. Use a long lens to create intimate portraits of just the peaks of your favorite range. Incorporate people into some of your shots to show scale. Shoot when there is an impending or clearing storm to capture dramatic light.
Take a class with Russ or a fellow Digital Photo Academy instructor in your area, check out the Digital Photo Academy. I took Russ' intermediate and advanced courses last year, and he continues to be a strong source of knowledge and encouragement as I progress in my photography.
Monday, November 30, 2009
Thursday, November 26, 2009
Happy Thanksgiving 2009!
Wishing all my followers, friends and fans and their loved ones a Blessed and Happy Thanksgiving! Take care of one another.
Labels:
followers,
friends and fans,
Happy Thanksgiving 2009
Tuesday, November 24, 2009
Get the Goods: Boudoir Divas 2010 Workshop Dates Announced!
Dang, I wish I had the finances to head to San Diego to attend one of the Boudoir Divas workshops! Next year, the divalicious ladies are offering not only full workshops in their San Diego studio, but also "mini-shops" around the globe, including one in Paris!
The Diva's Mini-Shop is a 5-hour workshop and demo shoot in a hotel suite, focused on building your boudoir portfolio. Divas will explain how to pose clients, discuss marketing and pricing, and allow attendees to use the images from their shoot on their blog or website.
Nashville, San Diego, Las Vegas and Paris are the lucky cities that get to cash in on this photographic goldmine costing $685. The first six people to sign-up for the full workshops will receive $100 off the price. And the first 10 people to sign-up for a mini-shop will receive $75 off. Email info@TheBoudoirDivas.com for information or call the studio at 858-485-0443.
Want to see the Boudoir Divas in marketing action? Check out this video to see the girls paint the town Pink
The Boudoir Divas paint Downtown PINK! from Boudoir Divas on Vimeo.
Labels:
boudoir photography,
Las Vegas,
mini-shops,
Nashville,
Paris,
sales and discounts,
San Diego,
the boudoir divas,
workshops
Get the Goods: Digital Photography School's Essential Guide to Portrait Photography
Digital Photography School has released a comprehensive 78 page downloadable e-book to teach the secrets of stunning portraiture. "The Essential Guide to Portrait Photography" is brimming with portrait photography advice, tips and imagery. It’s a collection of some of DPS's best previously publish tutorials which have been updated for this edition – plus some new previously unpublished content. I'm very excited about this because my poor email storage could barely fit all of the DPS daily tips I've been saving over the year. It's great to have it all conveniently packaged in one e-book.
Get it now while DPS is running a 25 percent discount launch special. This cost of this e-book is $19.95 USD but this week DPS is making it available for 25% off so that you can secure it at just $14.95 USD (the discount is automatically applied – you don’t need a discount code). This price will go up in just over a week’s time at 9pm on Tuesday 1 December (Eastern US Time) so make sure you are among the first to get it.
The main section of this ebook covers 25 topics including:
How to bypass portrait mode on your digital camera and get great portraits
Photographing Children
Travel Portrait Photography
Environmental Portraits
Posing Tips
What to Wear in Portraits
Introduction to Portrait Lighting
Check out the complete list:
Here's a screen shot of the layout:
FREE BONUS – Interview with 6 Pro Photographers
The main sections of "The Essential Guide to Portrait Photography" are largely theory. While the teaching is solid and DPS believes we’ll get a lot out of it – they’ve also put together a further 17 pages of interviews with some great portrait photographers. While theory is great – it’s often when you see how someone else uses it where things really click – so as a free bonus they’ve picked the brains of six great portrait photographers and authors:
David Duchemin
Jack Hollinsworth
Chase Jarvis
Bert Stephani
Neil Creek
Kris Krug
Get your copy of the ebook here.
30 Day Money Back Guarantee
If you’re not satisfied that "The Essential Guide to Portrait Photography" ebook is helping your photography within 30 days, DPS will refund your money. But as a long time DPS forum member, I can almost guarantee you probably won't use it!
Monday, November 23, 2009
Instructor's Tip: So You Want to be a Nature Photographer?
Photo by RUSS BURDEN
I hope you enjoy this week's "Instructor's Tip" by one of my favorite instructors, award winning nature photographer Russ Burden. To learn more about how Russ captured the above image, join him on one of his photo tours. Visit Russ Burden Photography to get more information.
So You Want To Be A Nature Photographer
I’ve heard it said that if you love what you do, you’ll never work a day in your life. As photography has been a long time profession in addition to being a passion, to some extent the above holds true. But before I encourage you to quit your day job, cash out and hit the road with your camera and camper, hear me out with regards to what I mean by, “to some extent, this holds true.”
When I’m out in nature and everything comes together, it’s tough to think of anything that’s better. When the light is dramatic, when the animals display seldomly seen behavior, when the flowers are peak, when the fall colors are prime, all make shooting in the wild, wonderful, productive, and quite often profitable. BUT for those seldomly experienced days or situations, there are countless ones where not a single image is made. The preconceived notion amongst the masses is that all postcard shots are easily repeatable. This is NOT the case.
Are you willing to be away from your home and family for weeks at a time? While you’re on the road, can you live on a budget that makes it feasible to justify the trip? Can you deal with eating meals out of a can while you wait for the light that may be obscured by thick gray clouds to be dramatic? Do you enjoy waking up at 4:30AM and driving an hour to a location and have nothing develop in the way of interest? Can you deal with the rising cost of gas to make the drive to the location you wish to photograph? Can you accept the fact the day you arrive at your location coincides with a severe weather front where rain is in the forecast for the next seven days? So far, how many “Yes” answers do you have?
Let’s continue: Are you capable of photographing other subjects if you are not making sales of your nature images? Does the thought of photographing an occasional wedding make you cringe? Do you have marketing skills that are superior to the hundreds of thousands of other photographers who are trying to make a living selling nature shots? Unfortunately, buyers are not going to knock on your door unless you get your name out there! Can you deal with editor’s deadlines and requirements that differ from publisher to publisher? Do you have computer skills and record keeping abilities so you’ll know which company has what photos and when they’re due back? When you make a submission, are you willing to wait nine months or more to see if you are even in the running to make a sale?
I could go on and on. My goal is not to discourage you from pursuing your dream but to have you appreciate that the glamour behind the occupation is not all it’s cracked up to be. More power to you if you have the drive. So the next time you see an amazing nature shot, respect the photographer for what he or she had to endure. For every published image I’ve had, there are myriads I’ve discarded, thousands I wouldn’t dare show in public, and many more I’ve taken just to prove I was there. As for the future, more of the same as I do love my job.
Take a class with Russ or a fellow Digital Photo Academy instructor in your area, check out the Digital Photo Academy. I took Russ' intermediate and advanced courses last year, and he continues to be a strong source of knowledge and encouragement as I progress in my photography.
I hope you enjoy this week's "Instructor's Tip" by one of my favorite instructors, award winning nature photographer Russ Burden. To learn more about how Russ captured the above image, join him on one of his photo tours. Visit Russ Burden Photography to get more information.
So You Want To Be A Nature Photographer
I’ve heard it said that if you love what you do, you’ll never work a day in your life. As photography has been a long time profession in addition to being a passion, to some extent the above holds true. But before I encourage you to quit your day job, cash out and hit the road with your camera and camper, hear me out with regards to what I mean by, “to some extent, this holds true.”
When I’m out in nature and everything comes together, it’s tough to think of anything that’s better. When the light is dramatic, when the animals display seldomly seen behavior, when the flowers are peak, when the fall colors are prime, all make shooting in the wild, wonderful, productive, and quite often profitable. BUT for those seldomly experienced days or situations, there are countless ones where not a single image is made. The preconceived notion amongst the masses is that all postcard shots are easily repeatable. This is NOT the case.
Are you willing to be away from your home and family for weeks at a time? While you’re on the road, can you live on a budget that makes it feasible to justify the trip? Can you deal with eating meals out of a can while you wait for the light that may be obscured by thick gray clouds to be dramatic? Do you enjoy waking up at 4:30AM and driving an hour to a location and have nothing develop in the way of interest? Can you deal with the rising cost of gas to make the drive to the location you wish to photograph? Can you accept the fact the day you arrive at your location coincides with a severe weather front where rain is in the forecast for the next seven days? So far, how many “Yes” answers do you have?
Let’s continue: Are you capable of photographing other subjects if you are not making sales of your nature images? Does the thought of photographing an occasional wedding make you cringe? Do you have marketing skills that are superior to the hundreds of thousands of other photographers who are trying to make a living selling nature shots? Unfortunately, buyers are not going to knock on your door unless you get your name out there! Can you deal with editor’s deadlines and requirements that differ from publisher to publisher? Do you have computer skills and record keeping abilities so you’ll know which company has what photos and when they’re due back? When you make a submission, are you willing to wait nine months or more to see if you are even in the running to make a sale?
I could go on and on. My goal is not to discourage you from pursuing your dream but to have you appreciate that the glamour behind the occupation is not all it’s cracked up to be. More power to you if you have the drive. So the next time you see an amazing nature shot, respect the photographer for what he or she had to endure. For every published image I’ve had, there are myriads I’ve discarded, thousands I wouldn’t dare show in public, and many more I’ve taken just to prove I was there. As for the future, more of the same as I do love my job.
Take a class with Russ or a fellow Digital Photo Academy instructor in your area, check out the Digital Photo Academy. I took Russ' intermediate and advanced courses last year, and he continues to be a strong source of knowledge and encouragement as I progress in my photography.
Saturday, November 21, 2009
This Weekend: WWA Night Photography With a Holiday Twist
Tonight, my friend and fellow photography Sean Donnelly and I will be attending a Night Photography class hosted by Working with Artists. The class will be held at Hudson Gardens and Event Center where we will be learning how to mix ambient setting sun sky light with an artificial holiday light display. I'm excited about shooting in a location I've never been before. Instructor Ellen Yeiser, known for her boundless energy, hopes that we will be able to do some shooting in downtown Littleton as well, given time constraints.
At just $25, this affordable course is an amazing deal, and I appreciate my buddy Sean letting me know about it. I haven't yet had the opportunity to take a class with Working With Artists, although I've had one of my photos on display there in it's gallery in the past. If I like this class, I intend to join the WWA's recently organized camera club called "Click!" that hopes to inspire passion for photography through outings and in-house programs presented by its members and visiting artists. For $35 a year we get:
Lectures presented by artists engaged by WWA to present workshops, local celebrity photographers and members
Peer critiques of favorite images
Photographic field trips followed by critiques of images taken on the trips. Examples of photographic outings include the Denver Botanic Gardens, the Denver Zoo, the Denver Art Museum, Hudson Gardens and so much more...
The WWA Photography Book Club
Periodic competitions
And Wine!
Meetings are planned for the third Thursday of each month, from 6 - 8 pm. Outings will usually occur on the weekends, with critiques following at the next third Thursday meeting.Dues associated with the club are as follows: Membership is $35 per year. Membership will be automatically included in a $100 membership level to WWA. To become a member of Click call 303 837 1341 or email click@workingwithartists.org
NEXT MEETING: November 19th @ WWA
Socializing: 6pm
Meeting: 6:30p - 8:30p
Program Agenda
2 Member Portfolio Critiques
Excective Committee Reports
Labels:
affordable photography classes,
Click camera club,
Ellen Yeiser,
Hudson Gardens,
Littleton,
memberships,
night photography,
photography instructions,
Sean Donnelly,
Working With Artists
Saturday Morning Cartoons
Here is my favorite "What the Duck" comic from this week. Rock on Aaron! "What the Duck" is an online comic strip created by Aaron Johnson. I just love how Aaron's wry sense of humor reflects the current state of the photography industry. But what really freaks me out sometimes when I read his strip is how much they reflect whatever situation I'm currently experiencing too...whether it's working with clients or desperately trying to stay on top of technology like Facebook or Twitter or a host of other things that all add up to being a professional photographer.
The genius of his strip is the way viewers can interact with Aaron and his comic character. Folks are welcome to link, post, copy/paste, or save the strips to their own sites, blogs, forums, newsletters, etc. Aaron also allows viewers to suggest titles for his individual strips, and post photos of their own plushy and stuffed W.T. Duck working or hanging out.
Labels:
Aaron Johnson,
comic strips,
comics,
online comic strip,
photography comics,
photography humor,
Saturday Morning Cartoons,
What the Duck
Thursday, November 19, 2009
Get the Goods: SmugMug Packages and Coupons finally on the way!
SmugMug's chief marketing guru Jeff Jochum confirmed that packages and coupons are in "final tests now." He admitted that it was a "major fail" that the features promised two years ago have not come to fruition. Yeah! I knew my good ole' SmugMug would come through!
Jochum made the announcement last night during Denver's first SMUG. He said it was the second largest group behind Orange County, and I know several other folks that were planning to show up but couldn't make it.
As the local company rep, Jochum said he wants to make our area SMUGS be business oriented, and completely focused on how to make money at photography. To that end, he spent the evening challenging us to take on "photo" fusion for sale product and indirect marketing. Fusion is video that can include stills and sound.
I've been playing around with creating slideshows with Animoto, but I have yet to make an actual video with my camera. I did find out last night that apparently my G9 has high resolution video capture -- a feature I've never used. The presentation showcasing videos such as this one created by Bebb Studios was incredibly inspiring and made me imagine how I might tell my own client's stories through video.
"Still photography is great, but sound and video imagery can evoke emotion," Jochum says.
Check out Vincent LaForet's Nocturne shot entirely with a prototype Canon EOS 1D Mark IV:
Jochum made the announcement last night during Denver's first SMUG. He said it was the second largest group behind Orange County, and I know several other folks that were planning to show up but couldn't make it.
As the local company rep, Jochum said he wants to make our area SMUGS be business oriented, and completely focused on how to make money at photography. To that end, he spent the evening challenging us to take on "photo" fusion for sale product and indirect marketing. Fusion is video that can include stills and sound.
I've been playing around with creating slideshows with Animoto, but I have yet to make an actual video with my camera. I did find out last night that apparently my G9 has high resolution video capture -- a feature I've never used. The presentation showcasing videos such as this one created by Bebb Studios was incredibly inspiring and made me imagine how I might tell my own client's stories through video.
"Still photography is great, but sound and video imagery can evoke emotion," Jochum says.
Check out Vincent LaForet's Nocturne shot entirely with a prototype Canon EOS 1D Mark IV:
Labels:
denver smug,
Get the Goods,
Jeff Jochum,
photo fusion,
Smugmug packages and coupons,
Vincent LaForet Nocturne
Wednesday, November 18, 2009
Get Connected: Attending Denver's first SMUG
Tonight I will be meeting some old friends and making new photography connectings at the first Denver SmugMug User Group meeting, affectionately known as a SMUG.
I love reconnecting with buddies to see how their businesses are flourishing, including Chester Bullock of Chester Bullock Photography, Maria Mitchell of Life Clicks Photography and Katie Humphreys, of the dynamic duo Chris Humphreys' destination wedding photography team. Katie and her husband Chris, along with Sara Frances & Karl Arndt, are the leaders of the new Denver SMUG.
Silicon Valley SmugMug User Group (SMUG)
The first Denver SMUG will feature Smugmug's chief marketing guru Jeff Jochum. Jeff will reprise his Igniting Fusion presentation at this month's meeting. Featuring incredible videos videos by Bob Davis, Robert Evans, JVS, Chris MacAskill, The Bebbs and The Bui Brothers, as well as the NEWEST video from Vincent Laforet's SmugMug project in Hawaii - Igniting Fusion was a big hit at this year's Collision Conference, hosted by the LA Film School, a few weeks ago.
Now you can finally put a face to all those strange usernames on the Dgrin Forum. I'm "thenimirra" and I'm looking forward to meeting you.
The First Denver SMUG meeting is:
Wednesday, Nov. 18, 2009 | 7:00-9:30PM
Blake Street Tavern (map)
2401 Blake Street (@ 24th)
Denver, CO
SMUGs are FREE and open to everyone who loves photography.
After the initial launch meetings, local volunteers will take over as SMUG Leaders. They will organize and announce monthly SMUGs times, locations and topics.
Want to find a SMUG in your area? Check out this link and sign up for the email list to get meeting updates.
Want to start a SMUG in your community? Contact Jeff so he can help you get one going. Jeff Jochum: smugs@smugmug.com 310.773.0770 Twitter: MugToMug
Robert Scoble at the Silicon Valley SMUG
Monday, November 16, 2009
Instructor's Tip: Get Motivated
Photo by Russ Burden
I hope you enjoy this week's "Instructor's Tip" by one of my favorite instructors, award winning nature photographer Russ Burden. To learn more about how Russ captured the above image, join him on one of his photo tours. Visit Russ Burden Photography to get more information.
Get Motivated
Every photographer I know has experienced a period when, at one time or another, hits the wall and needs to create distance between themselves and the camera. Call it a lull, rejuvenation period, or simply time off, it’s necessary to maintain creativity. These periods of down time are normal and should be taken in stride. But what happens if these lulls of a few days evolve into a week or even longer. Then it becomes an issue. If this happens to you, try some of the following techniques to get re-motivated.
Join A Camera Club: Camera clubs are organized by photographers for photographers. Depending on the club, meetings are held once, twice or even three times a month. Their purpose is to promote photography through competitions among the members, hold instructional shows on different aspects of photography, and run organized field trips to photogenic locations in and around the area of the club. If you’re not familiar with the concept and you’d like to check one out, search the internet for “photography clubs” in your area.
Give Yourself an Assignment: A sure fire way to get yourself revved up is to develop a photo theme in which you’re interested. It may be one you’ve already started but want to expand on or it may be something completely new and different. Pick a topic that won’t require long drives so you don’t use the drive as an excuse to not pick up the camera. It can be broad based like macro photography or more specific like parts of a car, architectural details, motion, etc. Create a schedule you can adhere to but not too rigorous to become a burden. Try something new such as portraiture, flowers, still life, etc.
Snap Away: Buy a digital point and shoot and go for short walks around the neighborhood. Take pictures of everything you encounter but try to add a new twist to the images. Try unique angles, experiment with flash, get in close, lay down on the ground, use slow shutter speeds to convey motion, etc. When you get back home, download the images. You may find a shot that really clicks.
Vacation Time: Nothing gets the creative juices flowing more than going on a photo tour. I’d love to have you join me. Plan your 2010 trip now.
If none of the above get you going, here are a number of other ideas that may peak your interest.
a) Take one of the classes I teach for the Digital Photo Academy. If you’re not in Denver, the classes are offered in 20 cities around the country.
b) Take a photography course at a local college in your area. If there are none, look to see what your local camera store may offer with regards to instruction.
c) Devote time to playing with Photoshop and try a new technique.
d) Buy a photography instructional book and try some of the techniques explained in it.
e) Plan to shoot the same location during all the seasons showing how it changes.
f) Enter a photo contest. If you win, it will motivate you to shoot more.
g) Shoot everything as an abstract. It will force you to look at the ordinary in unordinary ways.
Take a class with Russ or a fellow Digital Photo Academy instructor in your area, check out the Digital Photo Academy. I took Russ' intermediate and advanced courses last year, and he continues to be a strong source of knowledge and encouragement as I progress in my photography.
I hope you enjoy this week's "Instructor's Tip" by one of my favorite instructors, award winning nature photographer Russ Burden. To learn more about how Russ captured the above image, join him on one of his photo tours. Visit Russ Burden Photography to get more information.
Get Motivated
Every photographer I know has experienced a period when, at one time or another, hits the wall and needs to create distance between themselves and the camera. Call it a lull, rejuvenation period, or simply time off, it’s necessary to maintain creativity. These periods of down time are normal and should be taken in stride. But what happens if these lulls of a few days evolve into a week or even longer. Then it becomes an issue. If this happens to you, try some of the following techniques to get re-motivated.
Join A Camera Club: Camera clubs are organized by photographers for photographers. Depending on the club, meetings are held once, twice or even three times a month. Their purpose is to promote photography through competitions among the members, hold instructional shows on different aspects of photography, and run organized field trips to photogenic locations in and around the area of the club. If you’re not familiar with the concept and you’d like to check one out, search the internet for “photography clubs” in your area.
Give Yourself an Assignment: A sure fire way to get yourself revved up is to develop a photo theme in which you’re interested. It may be one you’ve already started but want to expand on or it may be something completely new and different. Pick a topic that won’t require long drives so you don’t use the drive as an excuse to not pick up the camera. It can be broad based like macro photography or more specific like parts of a car, architectural details, motion, etc. Create a schedule you can adhere to but not too rigorous to become a burden. Try something new such as portraiture, flowers, still life, etc.
Snap Away: Buy a digital point and shoot and go for short walks around the neighborhood. Take pictures of everything you encounter but try to add a new twist to the images. Try unique angles, experiment with flash, get in close, lay down on the ground, use slow shutter speeds to convey motion, etc. When you get back home, download the images. You may find a shot that really clicks.
Vacation Time: Nothing gets the creative juices flowing more than going on a photo tour. I’d love to have you join me. Plan your 2010 trip now.
If none of the above get you going, here are a number of other ideas that may peak your interest.
a) Take one of the classes I teach for the Digital Photo Academy. If you’re not in Denver, the classes are offered in 20 cities around the country.
b) Take a photography course at a local college in your area. If there are none, look to see what your local camera store may offer with regards to instruction.
c) Devote time to playing with Photoshop and try a new technique.
d) Buy a photography instructional book and try some of the techniques explained in it.
e) Plan to shoot the same location during all the seasons showing how it changes.
f) Enter a photo contest. If you win, it will motivate you to shoot more.
g) Shoot everything as an abstract. It will force you to look at the ordinary in unordinary ways.
Take a class with Russ or a fellow Digital Photo Academy instructor in your area, check out the Digital Photo Academy. I took Russ' intermediate and advanced courses last year, and he continues to be a strong source of knowledge and encouragement as I progress in my photography.
Sunday, November 15, 2009
Growing Pains: Obsessed with SEO for Photographers
For the past two weeks I've been completely obsessed with Search Engine Optimization for Photographers. A lot of people think SEO are techniques that ensure my website comes up first when you type in the company name. But that's not right. When you search for "Picture Your World Photography," either my blog or my business website are usually among the top three listed search results. But that assumes potential clients already KNOW my company name. What I really should be striving for with SEO is making sure that my website ranks higher in searches on Google and other major search engines when leads type in probable searches such as "Denver Photographer" or "Denver Wedding Photographer," etc. etc.
I knew it was something I had to get up-to-date on quickly when I started noticing description tags that appear at the top of some photographer's web pages. You've probably seen them too...."John Smith Photography, New York-based wedding photographer..." or "Jennifer Smith Photography, Atlanta's premiere lifestyle's photographer," yada yada.
When I looked up my business website for www.pictureyourworld.net, all mine had for a description was this: var ssConfig = { AlbumID: '3505170',AlbumKey: 'f3ta9' newWindow: 'false', transparent: 'true'. What the heck? It took me a while before I realized it was coding from my bio page on my SmugMug site. That description is the only way clients have of knowing what my business is about and why they should hire me. Needless to say, I was totally blowing it by not having a valid explanation of who I am and what I shoot.
So far, I've been slowly implementing some techniques I found in the The Moments4Ever Photography SEO Starter Guide. Those include creating unique page titles, using description meta tags and keyword meta tags in my html page layouts.
I thought their directions were pretty clear cut, especially for a SEO noob like me. I was able to add new page titles and descriptions to both my blog and my website.
Labels:
description meta tags,
keyword meta tags,
page titles,
Picture Your World Photography,
search engine optimization for photographers,
SEO,
The Moments4Ever Photography SEO Starter Guide
Saturday, November 14, 2009
Saturday Morning Cartoons
I had to laugh when I read this "What the Duck!" I have been targeted twice for one of those "fund forwarding schemes" -- once while I was renting rooms in my house on Rooms.com and another time when a scammer contacted me from a referral ad on PPA. So far, I've been able to wise up to the scams before any serious damage was done.
Here is my favorite "What the Duck" comic from this week. Rock on Aaron! "What the Duck" is an online comic strip created by Aaron Johnson. I just love how Aaron's wry sense of humor reflects the current state of the photography industry. But what really freaks me out sometimes when I read his strip is how much they reflect whatever situation I'm currently experiencing too...whether it's working with clients or desperately trying to stay on top of technology like Facebook or Twitter or a host of other things that all add up to being a professional photographer.
The genius of his strip is the way viewers can interact with Aaron and his comic character. Folks are welcome to link, post, copy/paste, or save the strips to their own sites, blogs, forums, newsletters, etc. Aaron also allows viewers to suggest titles for his individual strips, and post photos of their own plushy and stuffed W.T. Duck working or hanging out.
Labels:
Aaron Johnson,
comic strips,
comics,
online comic strip,
photography comics,
photography humor,
Saturday Morning Cartoons,
What the Duck
Friday, November 13, 2009
Guest Blogger: Photographer Jeff Clemons reviews AlienBees vs. Calumet's "Genesis" Lights
Today, I'm happy to introduce my readers to guest blogger Jeff Clemons. Jeff, 28, owns Caught My Eye Photography in Hesperia, CA, and has been shooting for 15 years, and professionally for the past four. He shoots with a variety of gear but tries to stick to his roots with Canon. Jeff is a photography colleague as well as a 4-wheeling buddy of mine on the Colorado4x4.org forums. Clemons initially posted this product review on the Shutterbug forum. But he has given me permission to reprint his review here. Thank you Jeff for taking the time to do this and your willingness to share what you've learned!
I bought some AlienBees studio lights a while back and found myself wanting more. I was going to just buy more Bees, but after doing some shopping, I found Calumet's Genesis 200 2-Light Kit and after hearing good reviews on them, I bought a couple.
We'll start this review off with the AlienBees.
This is the "Beginner Bee" kit that you can get through Alienbees.com.
It includes the B800 flash unit, reflector, shoot through or bounce umbrella, light stand, sync and power cords and a carrying case for the flash unit.
Back of the unit...
This flash is pretty nice. Build quality is nice and the fit and finish on everything is top notch. The power is controlled via the slider in 1 stop increments. The modeling light can be turned on, off or can track (dimmer switch like) to match the power output. It has a standard 1/8" sync port and can also be fired via the optical slave which can be seen next to the sync port. The optical slave works OK on this unit. I'll get more into that when I get to the Genesis. The Beginner Bee kit sells for $359.
This is the Calumet Genesis 200 kit.
It includes the Genesis 200 Flash unit, reflector, shoot through or bounce umbrella, light stand, sync and power cords but no carrying case.
Back of the unit...
Again, a well built, nice unit. First thing you will notice on this unit is, no slider.It's digitally controlled, which I've come to REALLY enjoy. It has the same stop range as the Bee, however, it is adjustable to 1/10th of a stop which is really nice for precision light work. This light also has an audible beep when it's charged and ready to fire. It also has an optical photo slave as well as a 1/8" sync port. Price for this kit is $199 for the 1 light kit or $369 for the 2 light kit(I bought the 2 light kit).
Biggest thing you will see between these two lights is a pretty substantial price difference. Where as with the AB kit, you get one light and all the gear for $359, you get twice the amount of gear with the Calumet for 10 bucks more. There is a power difference between these two lights to be fair...the AB800 is a 320 watt second light were as the Genesis are 200 watt seconds, but honestly, in a small to medium sized studio, they will both give more power than you'll ever use. Both are built well but IMO, the Genesis feels like a much higher quality light, especially the accessories it comes with.
The umbrella on the Genesis is about 8" bigger in diameter and obviously constructed of higher quality materials than the AB. The slave sensor on the Genesis is of much higher quality and it picks up the tiniest of flashes. In comparison, the AB slave takes a good amount of light to trigger. That's a moot point if your using cable or wireless sync, but it's a nice feature regardless. The light stand with the Genesis are lightyears ahead of the AB in terms of fit, finish and build quality. Take a look at the size difference. The Genesis is bigger in diameter and feels much more solidly built than the AB.
AB stand...
Genesis stand...
Flash performance between the two is pretty much indistinguishable, other than the AB offers a little more power. Again, not a big deal unless you really need it, and alot won't. The Genesis does seem to give a more consistent flash output and white balance at low power compared to the AB.
Don't get me wrong, the ABs are great lights, but dollar for dollar, they don't hold a candle to the Calumet Genesis kits. For the same amount of money, you're getting twice the lights and equipment. For budget studio lights, these are the ones to get hands down! I've had mine for a week now and have used the crap out of them so far, and they haven't missed a beat. Keep an eye out...the AB's might be going up for sale here soon!
I bought some AlienBees studio lights a while back and found myself wanting more. I was going to just buy more Bees, but after doing some shopping, I found Calumet's Genesis 200 2-Light Kit and after hearing good reviews on them, I bought a couple.
We'll start this review off with the AlienBees.
This is the "Beginner Bee" kit that you can get through Alienbees.com.
It includes the B800 flash unit, reflector, shoot through or bounce umbrella, light stand, sync and power cords and a carrying case for the flash unit.
Back of the unit...
This flash is pretty nice. Build quality is nice and the fit and finish on everything is top notch. The power is controlled via the slider in 1 stop increments. The modeling light can be turned on, off or can track (dimmer switch like) to match the power output. It has a standard 1/8" sync port and can also be fired via the optical slave which can be seen next to the sync port. The optical slave works OK on this unit. I'll get more into that when I get to the Genesis. The Beginner Bee kit sells for $359.
This is the Calumet Genesis 200 kit.
It includes the Genesis 200 Flash unit, reflector, shoot through or bounce umbrella, light stand, sync and power cords but no carrying case.
Back of the unit...
Again, a well built, nice unit. First thing you will notice on this unit is, no slider.It's digitally controlled, which I've come to REALLY enjoy. It has the same stop range as the Bee, however, it is adjustable to 1/10th of a stop which is really nice for precision light work. This light also has an audible beep when it's charged and ready to fire. It also has an optical photo slave as well as a 1/8" sync port. Price for this kit is $199 for the 1 light kit or $369 for the 2 light kit(I bought the 2 light kit).
Biggest thing you will see between these two lights is a pretty substantial price difference. Where as with the AB kit, you get one light and all the gear for $359, you get twice the amount of gear with the Calumet for 10 bucks more. There is a power difference between these two lights to be fair...the AB800 is a 320 watt second light were as the Genesis are 200 watt seconds, but honestly, in a small to medium sized studio, they will both give more power than you'll ever use. Both are built well but IMO, the Genesis feels like a much higher quality light, especially the accessories it comes with.
The umbrella on the Genesis is about 8" bigger in diameter and obviously constructed of higher quality materials than the AB. The slave sensor on the Genesis is of much higher quality and it picks up the tiniest of flashes. In comparison, the AB slave takes a good amount of light to trigger. That's a moot point if your using cable or wireless sync, but it's a nice feature regardless. The light stand with the Genesis are lightyears ahead of the AB in terms of fit, finish and build quality. Take a look at the size difference. The Genesis is bigger in diameter and feels much more solidly built than the AB.
AB stand...
Genesis stand...
Flash performance between the two is pretty much indistinguishable, other than the AB offers a little more power. Again, not a big deal unless you really need it, and alot won't. The Genesis does seem to give a more consistent flash output and white balance at low power compared to the AB.
Don't get me wrong, the ABs are great lights, but dollar for dollar, they don't hold a candle to the Calumet Genesis kits. For the same amount of money, you're getting twice the lights and equipment. For budget studio lights, these are the ones to get hands down! I've had mine for a week now and have used the crap out of them so far, and they haven't missed a beat. Keep an eye out...the AB's might be going up for sale here soon!
Labels:
Alienbees,
Calumet Genesis 200 2-Light Kit,
Caught My Eye Photography,
guest blogger,
Jeff Clemons,
product review
Monday, November 9, 2009
Breaking News: One more chance to get marketing telesummit mp3 for $99
You asked for it! Now the Telesummit Recordings are Back by Popular Demand!
Due to a continual FLOOD of requests, the Master Photographer's Marketing Series Telesummit mp3 downloads are available from 12:00pm Central, November 9 through 12:00am Central, December 13 for $99!
Here's one last chance to learn from the industry's greatest marketers - Kia Bondurant, Rod Evans, John Hartman, Jen Hillenga, Julie Klaasmeyer, Kevin Kubota, Lori Nordstrom, Sarah Petty, Allison Rodgers, Dane Sanders, Marilyn Sholin, Kent & Sarah Smith, Vicki Taufer, Beverly & Tim Walden, Ed Zemba & David Ziser.
Purchase all 16 hours of the Master Photographer's Marketing Series Telesummit, available as an mp3 audio download plus pdf outlines. Purchase the recordings today for the special $99 price. These recordings will be available for a VERY limited time.
I got mine and have been slowly working my way through all 16 hours of amazing marketing ideas! Don't miss out on this.
Instructor's Tip: Fog
© Russ Burden
I hope you enjoy this week's "Instructor's Tip" by one of my favorite instructors, award winning nature photographer Russ Burden. To learn more about how Russ captured the above image, join him on one of his photo tours. Visit Russ Burden Photography to get more information.
FOG
Foggy conditions elicit moody and ethereal feelings. The light is diffused and even, but very flat. Knowing how to take advantage of this is what makes a fog image successful.
As the elements that constitute the composition recede from the camera position, so does the intensity of their shape, color and contrast. By placing a dominant subject in the foreground, it becomes the primary element. All other parts become secondary as they melt into the background in a wash of mist. The mood this evokes is one of peacefulness. When created properly, photographs made in the fog tend to be very soothing to view.
Shooting in the fog requires precautions to protect your camera from the surrounding mist. Fog does appear in differentiating densities. Therefore its encountered density dictates what is necessary to keep the camera safe. Along coastal areas, fog can be so thick it feels like a misty drizzle. At other times it can be a soft layer of moisture thinly obscuring the sun.
Fog is most commonly found in the early morning before the sun has a chance to evaporate the mist created by the cool night’s air. In that fog is actually a ground level cloud, as the sun warms it, it dissipates. Listen to the weather forecast. A cool night followed by a semi warm morning are the right ingredients to produce fog. So pack a small towel and go out shooting.
Take a class with Russ or a fellow Digital Photo Academy instructor in your area, check out the Digital Photo Academy. I took Russ' intermediate and advanced courses last year, and he continues to be a strong source of knowledge and encouragement as I progress in my photography.
Read this personal note from Russ:
I just returned from an absolutely fantastic nature photo tour to Bryce Canyon and Zion National Parks. The weather was amazing and we were treated to one of the most spectacular sunrises in Bryce I've ever had the opportunity to capture. I assure you that the travelers who were with me are nodding in agreement and smiling right now.
Every session proved to be very productive. We originated in Vegas and happened to be there on Halloween. As we were leaving to go to our sunrise session the next morning, the throngs of people were still out and about!
Join me on a tour so you can be one of the participants next time nodding in agreement and smiling. I'll put you in the right place at the right time! I intimately know every location in each park to which I lead a tour - you can't place a price tag on my enthusiasm and desire to get you great images.--Russ
I hope you enjoy this week's "Instructor's Tip" by one of my favorite instructors, award winning nature photographer Russ Burden. To learn more about how Russ captured the above image, join him on one of his photo tours. Visit Russ Burden Photography to get more information.
FOG
Foggy conditions elicit moody and ethereal feelings. The light is diffused and even, but very flat. Knowing how to take advantage of this is what makes a fog image successful.
As the elements that constitute the composition recede from the camera position, so does the intensity of their shape, color and contrast. By placing a dominant subject in the foreground, it becomes the primary element. All other parts become secondary as they melt into the background in a wash of mist. The mood this evokes is one of peacefulness. When created properly, photographs made in the fog tend to be very soothing to view.
Shooting in the fog requires precautions to protect your camera from the surrounding mist. Fog does appear in differentiating densities. Therefore its encountered density dictates what is necessary to keep the camera safe. Along coastal areas, fog can be so thick it feels like a misty drizzle. At other times it can be a soft layer of moisture thinly obscuring the sun.
Fog is most commonly found in the early morning before the sun has a chance to evaporate the mist created by the cool night’s air. In that fog is actually a ground level cloud, as the sun warms it, it dissipates. Listen to the weather forecast. A cool night followed by a semi warm morning are the right ingredients to produce fog. So pack a small towel and go out shooting.
Take a class with Russ or a fellow Digital Photo Academy instructor in your area, check out the Digital Photo Academy. I took Russ' intermediate and advanced courses last year, and he continues to be a strong source of knowledge and encouragement as I progress in my photography.
Read this personal note from Russ:
I just returned from an absolutely fantastic nature photo tour to Bryce Canyon and Zion National Parks. The weather was amazing and we were treated to one of the most spectacular sunrises in Bryce I've ever had the opportunity to capture. I assure you that the travelers who were with me are nodding in agreement and smiling right now.
Every session proved to be very productive. We originated in Vegas and happened to be there on Halloween. As we were leaving to go to our sunrise session the next morning, the throngs of people were still out and about!
Join me on a tour so you can be one of the participants next time nodding in agreement and smiling. I'll put you in the right place at the right time! I intimately know every location in each park to which I lead a tour - you can't place a price tag on my enthusiasm and desire to get you great images.--Russ
Saturday, November 7, 2009
This weekend: Pet Photography Workshop
Photo by Mike Haley
This weekend, I will finally get the chance to try something I've long been interested in -- pet photography!
Jaime Rowe of Jaime Rowe Photography pet shooter extraordinaire will be hosting a special workshop for Femme Photographie group members. Femme Photographie is a sub group of the larger umbrella Mile High Photographers group. Each month, one of the group's members tend to throw together a workshop where everyone has a chance to share their skills and learn together. I created one earlier this year for an engagement portrait workshop.
Jaime has gathered several furry models for us to photograph, and she promises to give us some of her pointers and tips for working with different types of dogs. So far, we have a border collie, a red heeler, a beagle/basset hound mix, and a maltese/poodle mix. I seriously thought about bringing trying to bring Raina and Isis, my husky and malamute, but my dogs are so crazed with energy that they would have thought it was social hour instead of being quiet and modeling for us.
I toyed with the idea of adding pet photography in my studio offerings, but then I decided that dealing with those pets' humans was work enough for me! :) I'm still looking forward to a chance to try shooting a new subject because it's pretty common for soon-to-be wedded couples or family portrait shoots to include their furry-loved ones in the shoot. So it would be good for me to learn how to catch and hold a pet's attention long enough to get a good shot.
So if you see several photographers chasing some dogs around Wash Park tomorrow afternoon, that would be us!
This weekend, I will finally get the chance to try something I've long been interested in -- pet photography!
Jaime Rowe of Jaime Rowe Photography pet shooter extraordinaire will be hosting a special workshop for Femme Photographie group members. Femme Photographie is a sub group of the larger umbrella Mile High Photographers group. Each month, one of the group's members tend to throw together a workshop where everyone has a chance to share their skills and learn together. I created one earlier this year for an engagement portrait workshop.
Jaime has gathered several furry models for us to photograph, and she promises to give us some of her pointers and tips for working with different types of dogs. So far, we have a border collie, a red heeler, a beagle/basset hound mix, and a maltese/poodle mix. I seriously thought about bringing trying to bring Raina and Isis, my husky and malamute, but my dogs are so crazed with energy that they would have thought it was social hour instead of being quiet and modeling for us.
I toyed with the idea of adding pet photography in my studio offerings, but then I decided that dealing with those pets' humans was work enough for me! :) I'm still looking forward to a chance to try shooting a new subject because it's pretty common for soon-to-be wedded couples or family portrait shoots to include their furry-loved ones in the shoot. So it would be good for me to learn how to catch and hold a pet's attention long enough to get a good shot.
So if you see several photographers chasing some dogs around Wash Park tomorrow afternoon, that would be us!
Labels:
Femme Photographie,
Jaime Rowe Photography,
Mile High Photographers,
pet photography,
photography workshops,
This Weekend
Saturday Morning Cartoons
Here is my favorite "What the Duck" comic from this week. Rock on Aaron! "What the Duck" is an online comic strip created by Aaron Johnson. I just love how Aaron's wry sense of humor reflects the current state of the photography industry. But what really freaks me out sometimes when I read his strip is how much they reflect whatever situation I'm currently experiencing too...whether it's working with clients or desperately trying to stay on top of technology like Facebook or Twitter or a host of other things that all add up to being a professional photographer.
The genius of his strip is the way viewers can interact with Aaron and his comic character. Folks are welcome to link, post, copy/paste, or save the strips to their own sites, blogs, forums, newsletters, etc. Aaron also allows viewers to suggest titles for his individual strips, and post photos of their own plushy and stuffed W.T. Duck working or hanging out.
Labels:
Aaron Johnson,
comic strips,
comics,
online comic strip,
photography comics,
photography humor,
Saturday Morning Cartoons,
What the Duck
Friday, November 6, 2009
Get Connected: Free night photowalk! Join us...
My schedule has finally eased up a bit so I can have some fun with my photography. On Saturday, one of my favorite instructors, Efrain Cruz of Illuminate Workshops, will be hosting his free monthly night photowalk in downtown Denver. The gathering is open to anyone who would like to join us. It's so much more fun to practice photography with other like minded, creative photogs.
Check out this link to find out more information and what you need to bring.
This blog post includes images I shot during a night photowalk even last year. Check out this link on Flickr to see what other photography students have shot during previous photo walks.
Thursday, November 5, 2009
Get the Job Done: Google ad scores again!
One of my ads that appeared on a Google page search netted me another client! I'm still only now beginning to understand the power of SEO and improving my studio's visibility on the internet. But it looks like what little I've done has helped a tremendous amount.
Peggy, my client, called me earlier this week to book a boudoir session for next month. During our initial consultation, I asked her to explain to me how she found me. She said she did a Google search for "photographers in Denver." That pulled up a long, unwanted list of wedding photographers. She modified her search, typing in "glamour shots." That's when my Google Adwords ad appeared on the right hand side of the screen as one of the sponsored links. My company's name piqued her interest...and the rest was history!
For my current Adwords campaign, I spend no more than $1 a day for automatic placements of my ad on a Google search based on specific keywords typed in by potential clients. I've spent less than $10 on advertising since I opened my Adwords account on Oct. 22, and I've secured two clients who found me solely after completing a search online. It takes some time to be able to choose an appropriate budget amount and eligible keywords that will help increase the times your ad will appear online and the likelihood of someone clicking it. But Adwords gives you plenty of recommendations and a handy keyword generator list to give you a leg up! As my earnings increase, I'll start increasing my ad budget.
If you haven't started an ad campaign for your business on Google yet, what are you waiting for? It works!
Tuesday, November 3, 2009
Get Connected: Facebook targets advocates for your business
I have been doing a lot of research on how to utilize Facebook for growing my photography studio. Now, I have a first-hand experience about how amazing Facebook can be for creating advocates for your business. It's so simple, you just might smack yourself. When people on Facebook become Fans of your company, they also become its advocates. Think of gaining Facebook friends or business fans the same way you think of increasing your email subscriber base to help build your network.
I got a message from Jenn, a friend on Facebook, wondering how I knew her best friend Alexa? Turns out Alexa became a Fan of my studio Facebook page because her best friend Jenn did. Just by coincidence, Alexa actually won a free 8x10 digital download of one of my cityscape photos during a randomly generated drawing from among my Fans List.
Unbeknownst to Jenn, she became an advocate for my business. When she interacts with my Facebook Page, stories linking to my page go to her friends via the News Feed. As these fans interact on my Page, News Feed keeps driving word-of-mouth to a wider circle of friends. And I think this instance is a great example of the fact that new Fans are more likely to become a fan of a page if they see their friends have already signed up for it too. It's one of the reasons I have more than 200 fans since creating my page a few months ago. Your friends also become advocates because an ad will show up on their page saying for "Jenn is a Fan of Picture Your World Photography," for example, enticing their friends to join as well. Plus when someone becomes a fan of your page, your updates on the page show up on their wall giving additional exposure.
For more exposure, set up an advertising campaign for your page with Facebook Ads paying for clicks or impressions showcasing your page to targeted audiences on Facebook. So far I've successfully run several ad campaigns on Facebook, paying no more than a set amount per day for running my ad.
Labels:
business advocates,
Facebook,
Facebook advertising,
Facebook fan page,
facebook fans,
marketing tips,
news feed
Breaking News: Denver SMUG Date Change!
Whoops!
Due to an unforeseen date/venue conflict, the first Denver SMUG meeting has MOVED to:
WEDS, November 18 at 7 p.m.
Speaker, Location & Coolness is the same, just the DATE is changed. Read my blog post to get a refresher on what we will be discussing.
Hope to see more of my SmugMug usergroup buddies at the event at:
Blake Street Tavern (map)
2401 Blake Street (@ 24th)
Denver, CO
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